Michelle Shengyu Li

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	<title>Michelle Shengyu Li</title>
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	<description>Michelle Shengyu Li</description>
	<pubDate>Thu, 30 Jul 2026 19:09:36 +0000</pubDate>
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		<pubDate>Tue, 14 Jan 2025 02:00:17 +0000</pubDate>

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		<title>About</title>
				
		<link>https://michelleshengyuli.com/About</link>

		<pubDate>Sun, 11 Feb 2024 05:01:41 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

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Photograph courtesy of Andrew James Wies.&#38;nbsp;
	Michelle Shengyu Li (b. Vancouver, Canada) is an interdisciplinary artist based between Vancouver, Canada and Baltimore, USA. Through sculpture, installation, and photo, her practice speculates belief and belonging in tensions to land, diaspora, (in)visibility, and the sacredness of life/death. Often working with wood, paper, wax, and living organisms, many of her pieces are transitory bodies that mediate the fluidity of eternal elements like fire, wind, desire, and migration. 
Li’s work has been featured across Baltimore and New York including exhibitions at Area 405, the Reginald F. Lewis Museum, and BioBAT Art Space as well as Issue 21 of BmoreArt: “The Future.” She is a 2026 Janet &#38;amp; Walter Sondheim Semifinalist and a recipient of the Carolyn J. Springborn Fellowship at the Haystack Mountain School of Craft. 

Contact: michellesylistudio@gmail.com
Instagram: @michellesyli


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		<title>CV</title>
				
		<link>https://michelleshengyuli.com/CV</link>

		<pubDate>Tue, 11 Nov 2025 04:14:07 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

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		<description>Solo Exhibitions&#38;nbsp;
	2025&#38;nbsp;
	
	
Still Fire — Middendorf Gallery Baltimore, MD May 2025 


	2024
	Where the Light Blows — Gateway 1 GalleryBaltimore, MDNovember 2024


Selected Group Exhibitions
	2027
	In the Geometry of Knowing&#38;nbsp;— Center for the Arts Gallery, Towson University&#38;nbsp;Towson, MD
(forthcoming)
Mary B. Howard Invitational — Tephra ICA
Reston, VA(forthcoming)


	2026
	Living Records — BioBAT Art Space Brooklyn, NY
Sondheim Semifinalists Exhibition — Reginald F. Lewis Museum
Baltimore, MD

Rooted/Growing — Maryland Institute College of Art (Opening Performance)
Baltimore, MD

	2025 
	Pitted — Area 405Baltimore, MDSynesthesia Spectrum&#38;nbsp;— Making Space 
Baltimore, MD


	2024
	If Birds Could Fly — Middendorf Gallery Baltimore, MD

It Feels Right To Me — Middendorf Gallery&#38;nbsp;
Baltimore, MD
Fundraising for Palestine — Spare Room Gallery
Baltimore, MD


	2023
	

					Navigating Movements —&#38;nbsp;Gallery Four Ten
Baltimore, MD

	
something so light and heavy — Middendorf Gallery
Baltimore, MD

				
	2022
	

					Soft Spots and Hard Places — Middendorf Gallery
Baltimore, MD

East Asian Cultural Expo— Johns Hopkins University
Baltimore, MD

					
Asia North — The Parlor
Baltimore, MD


Curatorial
2026
2024
	
Strings Attached&#38;nbsp;— Middendorf Gallery, Baltimore, MD

If Birds Could Fly — Middendorf Gallery Baltimore, MD

Fellowships &#38;amp; Awards&#38;nbsp;
2026

2025
	Janet &#38;amp; Walter Sondheim Art Prize Semifinalist — Walters Art Museum, Baltimore, MD

Carolyn J. Springborn Fellowship in Wood — Haystack Mountain School of Craft&#38;nbsp;
Deer Isle, ME

Biodesign Challenge Outstanding Art Prize — MOMA
NYC, NY

Publications

	2026
2022
	

					BmoreArt — Issue 21: The Future, “Studio Visits by Justin Tsucalas”&#38;nbsp;
Nectar Magazine —&#38;nbsp;“Though A Portal: An Interview with Michelle Li”


Education


	2025 
	BFA Interdisciplinary Sculpture, summa cum laude — Maryland Institute College of Art Baltimore, MD


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		<title>Where the Light Blows</title>
				
		<link>https://michelleshengyuli.com/Where-the-Light-Blows</link>

		<pubDate>Thu, 30 Jan 2025 22:24:17 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

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		<description>
	Where the Light Blows
10/28/25 - 11/23/25
 
Solo Exhibition
MICA Gateway 1 Gallery, Baltimore, USA
Light is an unconditional form of love. 
It passes through everything that is connected by our ecosystem, from photosynthetic leaves to the deep roots and lives shadowed beneath our ground. 
Wind is an enigmatic force. 
It is the energy of all that continues to push and pull our communal breath from the past, present and future.
Where the Light Blows explores the grounding of the Asian diasporic body through surrendering to light and wind with written and object companions for belief, protection, grief, and belonging. Whether through wood and paper or air and time, these works illuminate, warm, rescind, and refract. They love the shadows and dance within the tense tetherings of visibility. 
Remembering the delight of my own skin warmed by the golden sunlight, I saw how gently my body can hold yellowness. And yet, I rooted myself in a desire and curiosity for the day that I join the soil or become wind too. 
In these pursuits for belonging, I wonder what it means to find home in both that which I cannot see and that which I always see.All works in Where the Light Blows were made on top of the roots of the red oak trees of the Piscataway and Susquehannock nations, beneath the shadows of the Chinese ginkgo, and with the memory of the pine forests of the Musqueam Coast Salish nations.


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		<title>If Birds Could Fly</title>
				
		<link>https://michelleshengyuli.com/If-Birds-Could-Fly</link>

		<pubDate>Wed, 12 Feb 2025 16:24:20 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

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		<description>If Birds Could Fly: On Speculative Futurisms04/11/24 - 04/24/24
 Group Exhibition, Co-curated with Liam Davis
Jung Won Lee, Mina Sarfaraz, Ameyaa Mallik, Elina Press, Caelan McCollum, Sarah Leiva, Jingwen Zhang, Rachel Rusk, Maia Malakoff, Michelle Shengyu Li, Catherine Khamnouane, Riley Cox, Gaeun Kim, Oreoluwa Akinyode, Sara Hinterlong, Marty Koelsch, Bobbie Waugaman, Nadia Nazar, Aida Lodge, Mantis Harper-Blanco, Kimari Hazward
MICA Middendorf Gallery, Baltimore, USA

Exhibition Catalogue

	“Birds do not sing because they have answers; birds sing because they have songs.”
 
Perhaps we have always known the sounds of dreaming. Upon each time the Sun rises, we recognize the bird’s song like a primordial call. Yet amidst the noisiness of industrial life, listening to these songs has become a radical practice of joy. As humans have aspired to reach great heights akin to the wonders of the bird, it becomes a reminder of our own strength and futility. 
During our short time on Earth, we’ve tied ‘progress’ with anthropocentric human advantage, traveling faster and further, but recklessly. As we hold the active opportunity and responsibility of generations from the past and future, how can we reassess our ethics and reject rigid boundaries between ‘human,’ ‘nature’ and ‘machine?’ What if we considered non-linear futures through cyclical or cosmological time? Whether it be in regards to sociopolitical structures such as race and gender or human and non-human entities, how can we break down concepts of ‘the other’ to build more symbiotic versions of progress? 
In response to futurisms that impose an absolute truth, in response to systems of fear and doubt, If Birds Could Fly envisions futurisms of the expansive, observant, and liberatory. Through critical dialogue between thoughtful speculations of the future— its tools, communities, values, language, and intersections with the past and present— we hope to recognize the power of collective dreaming.&#38;nbsp;

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&#60;img width="6116" height="4111" width_o="6116" height_o="4111" data-src="https://freight.cargo.site/t/original/i/aa44299afe20d9904ae380ba7ab9f4489f6d748fce2ce27cad51ceee29ac5b6d/39.JPG" data-mid="226501108" border="0"  src="https://freight.cargo.site/w/1000/i/aa44299afe20d9904ae380ba7ab9f4489f6d748fce2ce27cad51ceee29ac5b6d/39.JPG" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/306b26455765c3405d0c44ed54c8ed89e570ee6f17ff42c3ccb1bbd9f1103596/8.JPG" data-mid="226501177" border="0"  src="https://freight.cargo.site/w/1000/i/306b26455765c3405d0c44ed54c8ed89e570ee6f17ff42c3ccb1bbd9f1103596/8.JPG" /&#62;&#60;img width="5779" height="3993" width_o="5779" height_o="3993" data-src="https://freight.cargo.site/t/original/i/a8f4b986c3e7daa004c01405131675072d16df387598b29e633e55af6261cf85/17.JPG" data-mid="226501133" border="0"  src="https://freight.cargo.site/w/1000/i/a8f4b986c3e7daa004c01405131675072d16df387598b29e633e55af6261cf85/17.JPG" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/b27cd79da9f02629e729a02a84a3c7fd9303b84adb595832faf2019acaf9ba16/27.JPG" data-mid="226501125" border="0"  src="https://freight.cargo.site/w/1000/i/b27cd79da9f02629e729a02a84a3c7fd9303b84adb595832faf2019acaf9ba16/27.JPG" /&#62;&#60;img width="6163" height="4109" width_o="6163" height_o="4109" data-src="https://freight.cargo.site/t/original/i/6ec3a86b11de79a57723630d5ef72c3c78c7351e69fd455c85472d24dc6911a5/22.JPG" data-mid="226501126" border="0"  src="https://freight.cargo.site/w/1000/i/6ec3a86b11de79a57723630d5ef72c3c78c7351e69fd455c85472d24dc6911a5/22.JPG" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6b4e3cef931710ea446e7941a149ea10307ec7d74660f0bd1911347b29b61ce7/49.JPG" data-mid="226501082" border="0"  src="https://freight.cargo.site/w/1000/i/6b4e3cef931710ea446e7941a149ea10307ec7d74660f0bd1911347b29b61ce7/49.JPG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Living Records</title>
				
		<link>https://michelleshengyuli.com/Living-Records</link>

		<pubDate>Thu, 30 Jul 2026 19:09:36 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

		<guid isPermaLink="true">https://michelleshengyuli.com/Living-Records</guid>

		<description>Living RecordsIn collaboration with Liam Davis and Sofia Klimkowski Arango&#38;nbsp;

BioBAT Art Space&#38;nbsp;
June 13, 2026 - July 25, 2026 
Brooklyn, NY

Photoreceptive E.coli bacteria, printed images
2026Created with the Biodesign Challenge Outstanding Art Prize mentorship with BioBAT Art Space.
	[Curatorial Package] 
Living Records explores the responsibilities of image culture in shaping collective memory through developing and encoding living images with photoresponsive E. coli. Through bacterial photography, the project responds to the subjugation of public sociocultural power in who gets to be remembered in history and who gets to understand the technology that stores our memories. New pathways for agency and responsibility in the development of human legacy and culture emerge through these ephemeral documents that call for our care.


&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/8d8b085043edb503218b526b0a2766b6f0f76881e13ff03eab1196cd67ef5445/LivingRecords_05.JPEG" data-mid="250857189" border="0"  src="https://freight.cargo.site/w/1000/i/8d8b085043edb503218b526b0a2766b6f0f76881e13ff03eab1196cd67ef5445/LivingRecords_05.JPEG" /&#62;
&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/53805f223f3e751f39853996203d83e97d841a412453f0d20b1beee37364d7ec/LivingRecords_06.JPEG" data-mid="250857190" border="0"  src="https://freight.cargo.site/w/1000/i/53805f223f3e751f39853996203d83e97d841a412453f0d20b1beee37364d7ec/LivingRecords_06.JPEG" /&#62;&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/ae35d60d7ccb5d8bec3cb16628a96dcbb48c6ed670f9614c7d9a3a7bafbe0ef0/LivingRecords_07.JPEG" data-mid="250857191" border="0"  src="https://freight.cargo.site/w/1000/i/ae35d60d7ccb5d8bec3cb16628a96dcbb48c6ed670f9614c7d9a3a7bafbe0ef0/LivingRecords_07.JPEG" /&#62;

	&#60;img width="2333" height="3500" width_o="2333" height_o="3500" data-src="https://freight.cargo.site/t/original/i/e95e80681a74914698cb4939e7bbc56abfdde9b3c182b08fd466e28124d78fbd/LivingRecords_01.JPEG" data-mid="250857185" border="0"  src="https://freight.cargo.site/w/1000/i/e95e80681a74914698cb4939e7bbc56abfdde9b3c182b08fd466e28124d78fbd/LivingRecords_01.JPEG" /&#62;
	&#60;img width="2400" height="3600" width_o="2400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/e340357aa7839637bee69eefdb599a586b59e70585975c38f0fe58a83cbe5ad6/20260723_BioBat_ShowInstallations_WhitneyBrowne-05166.jpg" data-mid="251436629" border="0"  src="https://freight.cargo.site/w/1000/i/e340357aa7839637bee69eefdb599a586b59e70585975c38f0fe58a83cbe5ad6/20260723_BioBat_ShowInstallations_WhitneyBrowne-05166.jpg" /&#62;
	&#60;img width="2333" height="3500" width_o="2333" height_o="3500" data-src="https://freight.cargo.site/t/original/i/f8452073066b66eb752ba6f933810cc75521e285531f18234eb2862053933ebf/LivingRecords_02.JPEG" data-mid="250857186" border="0"  src="https://freight.cargo.site/w/1000/i/f8452073066b66eb752ba6f933810cc75521e285531f18234eb2862053933ebf/LivingRecords_02.JPEG" /&#62;

	&#60;img width="2333" height="3500" width_o="2333" height_o="3500" data-src="https://freight.cargo.site/t/original/i/e7dfb2e211dadd4651a7f179204a9d2de07eccf15ebbda3f24b5b8217e09f5ef/LivingRecords_08.JPEG" data-mid="250857192" border="0"  src="https://freight.cargo.site/w/1000/i/e7dfb2e211dadd4651a7f179204a9d2de07eccf15ebbda3f24b5b8217e09f5ef/LivingRecords_08.JPEG" /&#62;
	
&#60;img width="538" height="1560" width_o="538" height_o="1560" data-src="https://freight.cargo.site/t/original/i/e7a0dad645dabc7a7f241452efa6a4c6c0182362e94c066166daad8b6183722e/Screenshot-2025-10-24-at-1.20.11-AM.png" data-mid="250857392" border="0"  src="https://freight.cargo.site/w/538/i/e7a0dad645dabc7a7f241452efa6a4c6c0182362e94c066166daad8b6183722e/Screenshot-2025-10-24-at-1.20.11-AM.png" /&#62;


&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/07e3d427d7a10773853c881a33fc06f76377c0b8e53745c9c566f3dbb9a31d22/20260723_BioBat_ShowInstallations_WhitneyBrowne-05145.jpg" data-mid="251436626" border="0"  src="https://freight.cargo.site/w/1000/i/07e3d427d7a10773853c881a33fc06f76377c0b8e53745c9c566f3dbb9a31d22/20260723_BioBat_ShowInstallations_WhitneyBrowne-05145.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/42f96b944e518bb768ffa7beff984401657a5520b5ab94823b99d2be400bd58e/20260723_BioBat_ShowInstallations_WhitneyBrowne-05149.jpg" data-mid="251436628" border="0"  src="https://freight.cargo.site/w/1000/i/42f96b944e518bb768ffa7beff984401657a5520b5ab94823b99d2be400bd58e/20260723_BioBat_ShowInstallations_WhitneyBrowne-05149.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/641a5cdfb545eb85d4af0ab204d0463035a5793820b206af41e9ee3ebe585747/20260723_BioBat_ShowInstallations_WhitneyBrowne-05147.jpg" data-mid="251436627" border="0"  src="https://freight.cargo.site/w/1000/i/641a5cdfb545eb85d4af0ab204d0463035a5793820b206af41e9ee3ebe585747/20260723_BioBat_ShowInstallations_WhitneyBrowne-05147.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/964d72453f133c868604053a82e763f7bf321ead0c261cd55d59dbea7c012f09/5_20260723_BioBat_ShowInstallations_WhitneyBrowne-05146.jpg" data-mid="251469569" border="0"  src="https://freight.cargo.site/w/1000/i/964d72453f133c868604053a82e763f7bf321ead0c261cd55d59dbea7c012f09/5_20260723_BioBat_ShowInstallations_WhitneyBrowne-05146.jpg" /&#62;
&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/7304fa127ec9596a37dc13d98415fb13d28c405ac93bb32cf435e3fd90e40911/LivingRecords_04.JPEG" data-mid="250857188" border="0"  src="https://freight.cargo.site/w/1000/i/7304fa127ec9596a37dc13d98415fb13d28c405ac93bb32cf435e3fd90e40911/LivingRecords_04.JPEG" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/88c9892504b4f7333c3379191d62b25dd388521812050ef68f687ae58d5a57c5/1_20260723_BioBat_ShowInstallations_WhitneyBrowne-05163.jpg" data-mid="251436624" border="0"  src="https://freight.cargo.site/w/1000/i/88c9892504b4f7333c3379191d62b25dd388521812050ef68f687ae58d5a57c5/1_20260723_BioBat_ShowInstallations_WhitneyBrowne-05163.jpg" /&#62;
Photographed by Liam Davis and&#38;nbsp;Whitney Browne.&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Eternal Horizon: The Sunrise and Sunset</title>
				
		<link>https://michelleshengyuli.com/Eternal-Horizon-The-Sunrise-and-Sunset</link>

		<pubDate>Thu, 30 Jul 2026 18:54:23 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

		<guid isPermaLink="true">https://michelleshengyuli.com/Eternal-Horizon-The-Sunrise-and-Sunset</guid>

		<description>Eternal Horizon: The Sunrise and SunsetIn collaboration with the composer, Yoonjung Lee
I. The Sunrise
II. The Sunset
III. Eternal Horizon


 Composed by Yoonjung Lee for flute, bassoon, and four voices.
Performed by  Ivan Smaltsuga (flute), Wrenn Mokry (bassoon), Sophia Sorrentino, Caitlin Glastonbury, Evelyn Miao, and Xinyue Liu (vocalists).Commissioned for the opening reception of Rooted/Growing by MICA EDS for the MICA Bicentennial (Baltimore, MD, February 5th, 2026). 
	
[Abridged Performance]
“Eternal Horizon: The Sunrise and Sunset” is a ternary musical performance, expanding on the piece’s first rendition, “The Sunset / Eternal Horizon.”&#38;nbsp;
Moving towards and around an 8 ft double-sided music stand holding a candle, six musicians control breath through voice and woodwind instruments. The piece contemplates the sunrise and sunset as recurring, ephemeral spaces that draw an eternal horizon— everlasting, but always in the distance. Reflecting on migratory experiences, Lee and Li continue to dedicate objects, songs, and spaces to the sacredness of each step and breath. 

 
&#60;img width="3520" height="5498" width_o="3520" height_o="5498" data-src="https://freight.cargo.site/t/original/i/8c1588deeaf8e7a618f8981c097f8e0084bc95d81df84f89135354192c747046/19.JPG" data-mid="250858019" border="0"  src="https://freight.cargo.site/w/1000/i/8c1588deeaf8e7a618f8981c097f8e0084bc95d81df84f89135354192c747046/19.JPG" /&#62;&#60;img width="4943" height="3295" width_o="4943" height_o="3295" data-src="https://freight.cargo.site/t/original/i/6575e08dc92e0776ac9cada2a5ac6b2fd4a326065f7a792ebb13eedf6bc86ec0/13.JPG" data-mid="253427234" border="0"  src="https://freight.cargo.site/w/1000/i/6575e08dc92e0776ac9cada2a5ac6b2fd4a326065f7a792ebb13eedf6bc86ec0/13.JPG" /&#62;&#60;img width="6000" height="3679" width_o="6000" height_o="3679" data-src="https://freight.cargo.site/t/original/i/ac4524322cca6011261ec4296577ba9e714e01e12bcc840674cb3e2681e4978a/59.JPG" data-mid="250858021" border="0"  src="https://freight.cargo.site/w/1000/i/ac4524322cca6011261ec4296577ba9e714e01e12bcc840674cb3e2681e4978a/59.JPG" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e3224333e1ebc31c212bacb31321426b28823109a83bac6de3eb90c18d860453/61.JPG" data-mid="250865945" border="0"  src="https://freight.cargo.site/w/1000/i/e3224333e1ebc31c212bacb31321426b28823109a83bac6de3eb90c18d860453/61.JPG" /&#62;&#60;img width="3623" height="5597" width_o="3623" height_o="5597" data-src="https://freight.cargo.site/t/original/i/fea572f8c1249c39a170963e0e5784271cd01956ce52e9b6e271604fd7b27f00/65.JPG" data-mid="250858022" border="0"  src="https://freight.cargo.site/w/1000/i/fea572f8c1249c39a170963e0e5784271cd01956ce52e9b6e271604fd7b27f00/65.JPG" /&#62;Photographed by Nashiket Sharma.</description>
		
	</item>
		
		
	<item>
		<title>Bona Fide</title>
				
		<link>https://michelleshengyuli.com/Bona-Fide</link>

		<pubDate>Tue, 17 Feb 2026 00:30:34 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

		<guid isPermaLink="true">https://michelleshengyuli.com/Bona-Fide</guid>

		<description>Bona FideIn collaboration with 이정원 Jung Won Lee
Basswood (linden), ginkgo, plywood, soil, found dowels, jute, paint, paper, EMS Korea
 Dimensions variable2025
Installed for Pitted by PULP Collective at Area405 (Baltimore, USA, 2025.)


	Bona Fide is a promise of mutual care across borders—from Korea to the USA. Carving two leaves from species native to each land, the wooden leaves link in a gesture of support and sincerity like a pinky promise.In order to ship Lee’s ginkgo leaf from Seoul to Baltimore, a letter stating that the contents of the box were a “bona fide gift” had to be printed for review upon US entry. In the time before Lee’s package arrived, a copy of the mail receipt was placed in the dirt. Upon arrival, Li brought the package with the carved ginkgo leaf to the ginkgo tree closest to Lee’s old residence in Baltimore.

Together, the two leaves speculate other grounds of connection within countries that demand proof of authenticity.


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/590a5e4d661a6814d0e7660869eee8551aadfb292ef821e15dfca49a5395c9e5/JungWonLee_MichelleShengyuLi_BonaFide-02.jpg" data-mid="244903851" border="0"  src="https://freight.cargo.site/w/1000/i/590a5e4d661a6814d0e7660869eee8551aadfb292ef821e15dfca49a5395c9e5/JungWonLee_MichelleShengyuLi_BonaFide-02.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/907a6554185e3a7c5310a861f46392a9af5a56ad603cd88e1faf10d1dbcda4a9/JungWonLee_MichelleShengyuLi_BonaFide-01.jpg" data-mid="244903850" border="0"  src="https://freight.cargo.site/w/1000/i/907a6554185e3a7c5310a861f46392a9af5a56ad603cd88e1faf10d1dbcda4a9/JungWonLee_MichelleShengyuLi_BonaFide-01.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a396fe3dc02ac9cd6be963d9a21f7837daf3a85fdc9aa7a62b48a4eb976701a4/JungWonLee_MichelleShengyuLi_BonaFide-06.jpg" data-mid="250386450" border="0"  src="https://freight.cargo.site/w/1000/i/a396fe3dc02ac9cd6be963d9a21f7837daf3a85fdc9aa7a62b48a4eb976701a4/JungWonLee_MichelleShengyuLi_BonaFide-06.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/03ff90498bc90e88f2678e55888600de7128076ff51beca97e5ad13df4156214/JungWonLee_MichelleShengyuLi_BonaFide-04.jpg" data-mid="250386448" border="0"  src="https://freight.cargo.site/w/1000/i/03ff90498bc90e88f2678e55888600de7128076ff51beca97e5ad13df4156214/JungWonLee_MichelleShengyuLi_BonaFide-04.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1939af1ebdfc2ef0cb47a776f7516d7dc25b16d573e38c623773f5dc79d998f7/JungWonLee_MichelleShengyuLi_BonaFide-05.jpg" data-mid="250386449" border="0"  src="https://freight.cargo.site/w/1000/i/1939af1ebdfc2ef0cb47a776f7516d7dc25b16d573e38c623773f5dc79d998f7/JungWonLee_MichelleShengyuLi_BonaFide-05.jpg" /&#62;&#60;img width="4000" height="5328" width_o="4000" height_o="5328" data-src="https://freight.cargo.site/t/original/i/5a268c6e1f0915a8f18314665e48cfcfdbda5cdfc20d942df6c4071d6f69172e/JungWonLee_MichelleShengyuLi_BonaFideBox-2.jpg" data-mid="244903847" border="0"  src="https://freight.cargo.site/w/1000/i/5a268c6e1f0915a8f18314665e48cfcfdbda5cdfc20d942df6c4071d6f69172e/JungWonLee_MichelleShengyuLi_BonaFideBox-2.jpg" /&#62;&#60;img width="5328" height="4000" width_o="5328" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3ba13e42dd5f805b2c7dbbd9c0945569b779ef6ba742352d19e0fdb546d609bc/JungWonLee_MichelleShengyuLi_BonaFideBox-3.jpg" data-mid="244903848" border="0"  src="https://freight.cargo.site/w/1000/i/3ba13e42dd5f805b2c7dbbd9c0945569b779ef6ba742352d19e0fdb546d609bc/JungWonLee_MichelleShengyuLi_BonaFideBox-3.jpg" /&#62;&#60;img width="5328" height="4000" width_o="5328" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b00b36a31ac01989c1df5a6c7a9589880b9584e095a5f0b85e5e89e57d7b288d/JungWonLee_MichelleShengyuLi_BonaFideBox-4.jpg" data-mid="244903849" border="0"  src="https://freight.cargo.site/w/1000/i/b00b36a31ac01989c1df5a6c7a9589880b9584e095a5f0b85e5e89e57d7b288d/JungWonLee_MichelleShengyuLi_BonaFideBox-4.jpg" /&#62;&#60;img width="2897" height="1979" width_o="2897" height_o="1979" data-src="https://freight.cargo.site/t/original/i/6fde4fca0532501c061e4cfb961d88bb16227b9d45b1a89700f7f8695adc1bd3/US-Custom-Letter.JPG" data-mid="250411239" border="0"  src="https://freight.cargo.site/w/1000/i/6fde4fca0532501c061e4cfb961d88bb16227b9d45b1a89700f7f8695adc1bd3/US-Custom-Letter.JPG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>The Sunset / Eternal Horizon</title>
				
		<link>https://michelleshengyuli.com/The-Sunset-Eternal-Horizon</link>

		<pubDate>Tue, 11 Nov 2025 03:31:29 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

		<guid isPermaLink="true">https://michelleshengyuli.com/The-Sunset-Eternal-Horizon</guid>

		<description>The Sunset / Eternal Horizon
In collaboration with the composer, Yoonjung Lee

Cherry, paper, brass, candle
 94 x 24 x 54 in
2025

Composed by Yoonjung Lee for flute and bassoon.
Performed by Ivan Smaltsuga (Flute) and Wrenn Mokry (Bassoon).Commissioned for&#38;nbsp;Synesthesia Spectrum at Making Space (Baltimore, MD, 2025).&#38;nbsp;


“The Sunset / Eternal Horizon” meditates on the liminal phenomenology of walking and migration. Two performers playing the flute and bassoon, woodwind instruments of controlled breath, walked around the long music stand. Slowly, they followed the score and each other in circles.
In Brian Massumi’s idea of “walking as controlled falling,” each step leans into external forces like gravity with freedom and constraint, mundanity and necessity. Speculating a path of blurred starts and ends, the piece instead directs attention to the pressures of breath and movement itself. 

The score contemplates a musical motif derived from the intonation of the phrase “a moment of stillness” in Lee’s native language. Exploring Milan Kundera’s theory that “the degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting,” it holds the tension and release, purification and velocity, that emerges in the act of walking. Through repetitive breaths, it seeks a subtle equilibrium within the passage of time, sonically tracing the boundary between pause and progression.

 
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		<title>Instrument</title>
				
		<link>https://michelleshengyuli.com/Instrument</link>

		<pubDate>Fri, 04 Jul 2025 21:07:45 +0000</pubDate>

		<dc:creator>Michelle Shengyu Li</dc:creator>

		<guid isPermaLink="true">https://michelleshengyuli.com/Instrument</guid>

		<description>Instrument
Red oak, wax, cotton cord
 35 x 40 x 2 in2024
	 

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